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David Glasser’s one zero one Studios Nabs Rights to Paradise fireplace soccer Story

‘The Rookie’ producer Mark Ciardi is on board the project, which is based on the book ‘Paradise Found.’

David Glasser’s 101 Studios is developing a screen adaptation of the true story of the football team from Paradise, California, the small town destroyed by 2018’s Camp Fire.

Based on the Bill Plaschke book Paradise Found, the story centers on a high school football team under the dedication of its longtime coach, Rick Prinz, who helped their mountain town rise from the ashes, inspiring a community and a nation with its grit and perseverance.

Mark Ciardi, whose credits include The RookieMiracle and Million Dollar Arm, will produce via his Select Films banner. Glasser, David Hutkin and Bob Yari will executive porduce.

 

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Prinz said in a statement: «11/8/18 at 8:34 AM I sent this text message to the football team — ‘the plan is to practice at 3:00 today. If it is too smoky, we will modify our activity. I will keep you informed if anything changes.’ 11 minutes later, we were running for our lives. These young men had faced the reality of death. They had lost everything, their possessions, their homes, their town. They were living with relatives, in hotels, trailers, and cars. Some were homeless. I could see the anguish and despair in their eyes. We didn’t have a school, we didn’t have a practice field, we didn’t have cleats, we didn’t even have a football. But we had each other.»

Added Plaschke, who will consult on the film: «Imagine a small-town-football-team story that begins with no town and no team. The rebirth of the Paradise High Bobcats in the wake of a fire that decimated their small mountain village is a tale of 39 displaced kids and their coaches fighting together to overcome tragedy, forge a family, dominate a season, and bond a broken community.»

«The Camp Fire in Paradise, California, last year completely devastated the homes and lives of the people who lived there, but we are honored to shine a light on the inspirational reporting and storytelling by Bill Plaschke of this remarkable community, and high school football team, rebuilding their lives,» said Glasser, with Ciardi adding, «A year ago, the town of Paradise endured its complete destruction, due to the deadliest wild fire in California history. Its football team has helped it rebuild literally from the ashes, and given hope where little existed. I’m not sure I’ve ever seen a story with this much emotion in it.»

101 Studios most recently released Alfonso Gomez-Rejon’s The Current War: Director’s Cut.

 

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En esta lujosa y millonaria zona residencial en España vivía Emilio Lozoya

“La Zagaleta“, es el fraccionamiento de super lujo de España en donde fue detenido Emilio Lozoya, exdirector de Petróleos Mexicanos (Pemex).

Está ubicada a 20 kilómetros de Marbella, en la Costa del Sol, paraíso del turismo europeo.

Setareh Mohregi, empleada de empresa inmobiliaria, comentó: “La Zagaleta se considera la urbanización más exclusiva a nivel europeo y me puedo atrever a decir que a nivel mundial”.

Tiene vista ya sea al Mar Mediterráneo, a las costas africanas o alguno de sus dos campos de golf de 18 hoyos.

Cuenta con una casa club y un club hípico, y atención personalizada de 100 empleados.

Setareh Mohregi, empleada de empresa inmobiliaria, señaló: “El cliente que quiere La Zagaleta busca la privacidad y quiere pasar desapercibido”.

La Zagaleta es inaccesible para cualquier visitante.

De acuerdo con un video publicitario, el propio fraccionamiento selecciona a los supermillonarios que viven ahí.

Setareh Mohregi, empleada de empresa inmobiliaria, dijo: “Hay villas que pueden empezar por los 3 millones 900 mil euros con una parcela, en torno de 5 mil y unos 600 metros cuadrados de casa hasta la de 32 millones de euros que tiene 14 mil metros cuadrados de parcela y unos 3 mil 800 de casa”.

Sus 240 mansiones disponen de 900 hectáreas de terreno.

Los nombres de los propietarios permanecen anónimos.

Setareh Mohregieri, empleada de la empresa inmobiliaria, indicó: “alberga 420 villas en total, de las cuales están ya construidas 240”.

El diario “El País” lo define como el vecindario más exclusivo de España, donde viven empresarios, futbolistas y multimillonarios de Silicon Valley.

No se sabe en cuál de sus villas se alojaba el exdirector de Pemex, Emilio Lozoya, antes de ser detenido.

Fuente: Noticieros Televisa

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Kansas City son los Jefes del Super Bowl LIV

Los Jefes de Kansas City son los campeones del Super Bowl LIV al vencer por marcador de 31-20 a los 49ers de San Francisco en un partido donde los pupilos de Andy Reid se repusieron en el último cuarto de una desventaja de 10 puntos.

La defensiva de San Francisco impuso condiciones en los primeros tres cuartos del partido, incluso Mahomes fue interceptado en el inicio del último cuarto, sin embargo, los de San Francisco se desmoronaron y recibieron 21 puntos sin respuesta en los últimos seis minutos de partido.

De tal modo, los Jefes llevarán a sus vitrinas el segundo trofeo Vince Lombardi de su historia, mientras que San Francisco fracasó en el intento de alcanzar a Nueva Inglaterra y Pittsburgh, las franquicias más ganadoras de la liga.

Fuente: Excelsior

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How DPs over ‘Joker,’ ‘1917’ or More Took over Weather in accordance with Capture Perfect Shot: «It’s Stressful, But Thrilling»

With each film offering up its own particular challenges, from high tides to a 73-foot telescopic crane for a single shot, the five Oscar-nominated cinematographers share their most difficult moments to capture onscreen.

  • In Martin Scorsese’s lengthy crime epic with the many technical feats, the director still managed to surprise cinematographer Rodrigo Prieto. The challenging scene he didn’t anticipate: a quick shot of Frank Sheeran (Robert De Niro) helping Jimmy Hoffa’s (Al Pacino) Teamsters push some taxis into the Chicago River. Scorsese’s vision for the scene required operating the camera from a crane that could fly over the action. «This was a big challenge, because [after] take one, now the taxis are in the water,» says Prieto. «What if something went wrong and now you have to do another take?» Turns out, the answer was they’d have to wait three hours while a crane on a barge reset each car before going again. «So really, we had one shot at it,» he says. Which is why, when the first taxi got stuck and barely made it into the water before the camera passed, Prieto kept going. «The camera move ended up being slower than Scorsese expected, but the struggle made it realistic,» he says.

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